| 1972 | born in Newcastle Upon Tyne, UK | |
| 1991 - 1992 | Foundation Course, University of Sunderland, UK | |
| 1995 | Ecole Regionale des Beaux-Arts, Nantes, France | |
| 1993 - 1996 | BA(hons) Fine Art - Sculpture, Duncan of Jordanstone College of Art & Design, University of Dundee, UK | |
| lives and works in Glasgow, UK | ||
Solo Shows
| 2011 | Parole Vaine, Linn Lühn, Düsseldorf, Germany |
| 2010 | Newspeak: British Art Now, The Saatchi Gallery, London, UK |
| 2009 | She who Presents, Spike Island, Bristol, UK |
| 2008 | Parole Vaine, Linn Lühn, Cologne, Germany |
| 2007 | Bandaged Heads, Linn Lühn, Cologne, Germany |
| 2006 | Linn Lühn, Cologne, Germany |
| 2005 | Dicksmith Gallery, London, UK The Round Room, Talbot Rice Gallery, University of Edinburgh, UK Sorcha Dallas, Glasgow, UK |
| 2004 | Transmisssion, Glasgow, UK |
| 2001 | Bulkhead, Glasgow, UK |
Group Shows (Selection)
| 2012 | Boredom & Ornament with Sophie Macpherson a.o., ICA, London, UK Shoplifters, Shopgirls with Sophie Macpherson, Tramway, Glasgow, UK The Hidden Noise with Sophie Macpherson, Appartment Glasgow, UK Radar, Loughborough University, UK |
| 2011 | Madame Realism, Marres Centre for Contemporary Culture, Maastricht, Netherlands Drawings of the Museum of Modern Art New York, Martin-Gropius-Bau, Berlin, Germany |
| 2010 | Closure, Location One, New York Four Fantasies, Pump House Gallery, London Alpha &, On Stellar Rays, New York |
| 2009 | The Fool, Northern Gallery for Contemporary Art, Sunderland, UK Zehn Tage im August in Münster mit..., Linn Lühn, Münster, Germany Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, MOMA, New York Being and Nothingness, Light and Sie Gallery, Dallas (curated by James Cope) The Associates, Dundee Contemporary Arts, Dundee, UK |
| 2008 | To bring forth and give, Sorcha Dallas Artist´s Print Project, Glasgow Print Studio, Glasgow |
| 2007 | Tender Scene, The Changing Room, Stirling (with Gregor Wright) HB Works on Paper, Studio Guenzani, Milano (with Peter Peri, Kate Atkin, Karl Haendel) |
| 2006 | If not now, Broadway 1602, New York (curated by Sorcha Dallas) |
| 2005 | Low lights and trick mirrors, Generator Projects, Dundee Waste Material, group show curated by David Musgrave, The Drawing Room, Tannery Arts, London (touring) |
| 2004 | Living Dust, group show curated by David Musgrave, Norwich Gallery, Norwich School of Art & Design Group Show, Sorcha Dallas at Temporary Office Space, Glasgow Sorcha Dallas at The Rheinschau, Art Cologne, Cologne Group Show, Sorcha Dallas at Centre de Creation, Bazouges la Perouse, Brittany, France Group Show (with Alex Pollard & Craig Mulholland), Sorcha Dallas (offsite), Glasgow Like Beads on an Abacus Designed to Calculate Infinity, curated by Andrew Hunt, Rockwell, London Tongs Ya Bass, The Ship, London Granite, Whitechapel Project Space, London |
| 2003 | Three Person Show (with David Sherry & Anders Stolt), Signal, Malmo, Schweden The Moment of Fiction, Cooper Gallery, Dundee |
| 2002 | Menschenraum, Mulackstrasse 8, Berlin Half the World Away, Hallwalls Contemporary Arts Centre, Buffalo, New York |
| 2001 | October, St. Vincent Street, Glasgow Manwoman Annual, Transmission, Glasgow Beyond, Dundee Contemporary Arts |
| 2000 | Me, We, Project Space, Athen We are beautiful, so let's get dirty, Glasgow Project Rooms Film Club, Roselea Drive, Glasgow Eg. Sometime Instant, Radiotuesday, Glasgow |
| 1999 | Three Person Show (with Roger Hiorns & Enrico David), Transmission, Glasgow Coming Up For Air, Cooper Gallery, Dundee Members Show, Transmission, Glasgow Two Person Show (with Kevin Hutcheson), The Changing Room, Stirling |
| 1998 | Browsing, The Changing Room, Stirling Tronway Arts Centre, Transmission, Glasgow |
| 1997 | European Couples & Others, Transmission, Glasgow Suburban Affair, 27 Cupar Road, Newport-on-Tay Running Time, Collective Gallery & Cameo Cinema, Edinburgh |
Bibliography
| Finel Honigman, Ana: Linder Sterling´s Fashion Turn, New York Times, 14.10.2010 Mulholland, Neil: The Dark Knight Returns, Art Review 39, März 2010 Sherwin, Skye: This week´s exhibition previews, The Guardian, 23.1.2010 Levy, Michelle: Hints of Something Human, ARTslant, Januar 2010 Bracewell, Michael: Review, Frieze 127, November 2009 Terranova, Charissa: Review, The Magazine of and fort he Arts – Dallas/ Fort Worth, Mai 2009 Allsop, Laura: Review, Art Review 30, März 2009 Mottram, Jack: When Exhibitions Hang Together, The Herald, 12.12.2009 Schmitz, Frank: Drag Attack, Booklet No 9, pp. 94-95, autumn/ winter 2008 Deschler, Bettina: Wider die Diktatur des „guten Geschmacks“, Kölner Stadtanzeiger, 17.September 2008 Seyfahrt, Ludwig: Popcorn und Visionen, Artnet Deutschland, 3. September 2008 Imdahl, Georg: Jede Menge Kundschaft, Kölner Stadtanzeiger, 1. September 2008 Kuhn, Thomas W.: Zurück zur gemeinsamen Stärke, Frankfurter Allgemeine Zeitung/ Kunstmarkt, 30. August 2008 Nebelung, Dr. Sigrid: Wie Galeristen Sammler an den Rhein locken, Handelsblatt, 29. August 2008 Le Feuvre, Lisa: Art Failure, Art Monthly 313, Februar 2008 Mottram, Jack: Wrapped with wonder, The Herald, September 14, 2007 Kennedy, Alexander: Clare Stephenson: Bandaged Heads, The List 585, September 6, 2007 McDermott, Leon: Critic´s choice: Glasgow, Metro Life, August 23rd, 2007 Millar, John: Tender Scene, The Map 11, August 1, 2007 Mottram, Jack: Works that fizz with unexpected connections, The Herald, July 27, 2007 Borowski, Judith: Gut geformt. Ungerührt: Clare Stephenson, Fincancial Times Deutschland, October 27, 2006 Lorch, Catrin: Clare Stephenson, ARTFORUM.com, Critics Picks Cologne, June 2006 Reindl, Uta M.: Clare Stephenson, Fröhliche Anachronismen, KUNSTFORUM International, Bd.181 Juli-August 2006, pp. 333,334 Lorch, Catrin: Anfassen ausdrücklich erlaubt, Frankfurter Allgemeine Zeitung, May 13, 2006, pp.50 Frangenberg, Frank: Beweglich bleiben, Artnet Deutschland, May 11, 2006 Hunt, Andrew: Clare Stephenson, Frieze, July August 2005, Issue 92 Kennedy, Alexander: Review, The List, March 2005, pp.102 Waste Material Review, The Guide, February 2005, pp.37 Living Dust Review, Art Monthly, Issue 281, pp.32 |
Publikationen/Publications
| 2009 | The Associates, Dundee Contemporary Arts, Dundee |
| 2005 | The Imaginary Critic, Dicksmith Gallery, London Waste Material catalogue, The Drawing Room, Tannery Arts, London |
| 2004 | Solo Exhibition catalogue, Transmission, essay by Laurence Figgis Living Dust catalogue, Norwich Gallery, Norwich School of Art & Design |