Published on the occasion of Johannes Wohnseifers solo show at the Philara Collection in Düsseldorf in November 2014.
Das 20. Jahrhundert is a series of collages from 2014.
All 100 collages have a format of 29,7 x 21 cm, corresponding to the german DIN A4 format. Each collage represents one year of the 20th century. It was made exclusively with parts of a book or a magazine, which was published exactly in the same year.

Es gibt kaum eine bessere Einführung in die moderne Kunst als diesen ebenso humorvollen wie tiefgründigen Text eines Zeitzeugen, dessen persönliche Initiation in diese faszinierende und bisweilen bizarre Welt sich der Begegnung mit Berühmtheiten wie Man Ray, Max Ernst, Marcel Duchamp und René Magritte verdankt. William Copley hatte als junger Mann ein Vermögen geerbt und nutzte das Geld, um kurz nach dem Zweiten Weltkrieg in Beverly Hills eine Galerie zu eröffnen. Wirtschaftlich scheiterte das Unternehmen auf ganzer Linie, doch ohne es zu wissen, schrieb Copley mit diesem Versuch, den Eingeborenen von Hollywood etwas Kultur zu bringen, Kunstgeschichte. Copley war selbst Maler und verstand die Arbeits- und Denkweise seiner Vorbilder und Weggefährten. Dieser 1976 für die Ausstellung "Paris - New York" verfasste Essay schildert viele Episoden aus dem Leben der surrealistischen Künstler unverblümt und unterhaltsam aus der Perspektive eines jüngeren Kollegen, mit großer Nähe und intuitiver Anteilnahme.

There can hardly be a better introduction to modern art than this humorous yet insightful book by a contemporary personally admitted into this fascinating, occasionally bizarre world through his encounters with key figures such as Man Ray, Max Ernst, Marcel Duchamp, and René Magritte. William Copley inherited a fortune as a young man and used his wealth to open a gallery in Beverly Hills shortly after World War II. Financially, the business was a flop, but Copley's attempt to bring culture to the natives of Hollywood won him a place in the annals of art history. Copley himself was a painter and could well understand the work and thought processes of his heroes and coevals. This essay, written in 1976 for the exhibition Paris - New York, frankly and engagingly depicts episodes in the lives of Surrealist artists from the perspective of a younger colleague in a portrayal that is at once revealing and intimate.

This publication presents the first extensive overview on the abstract paintings of Christoph Schellberg.
Published on the occasion of the gallery show in Düsseldorf in September 2013, the catalogue presents an overview of his work from the last two years. The new essay by Julia Friedrich focusses on Schellberg´s abstract paintings and looks back on his earlier work.

This catalogue accompanies William Copley's gallery show with the same title.
Focussing mainly on drawings from 1965 and two scripts, Billy Copley contributes a new essay about the significance of drawing within his fathers work.

Second catalogue on the artist Christoph Schellberg, published on the occasion of his second solo exhibition at Linn Lühn in March/ April 2009. The book features a series of new portraits by the artist and includes an essay by Katharina Koppenwallner in german.

Published in close co-operation with Linder on the occasion of her first solo show She climbs the European sky in the gallery. The twelve postcards and the slipcase feature new collages using cartoons from the 50´s and 60´s taken from mens magazine.

Christoph Schellbergs first artist book is published on the occasion of his solo show at the gallery in June 2007.
CS is a collection of pairs of eyes which already appeared in earlier works and which also play a significant role in recent collages, which are part of the show in the gallery.

First monograph on the artist Sebastian Ludwig. The book includes an essay by the art critic Chris Miles (Los Angeles) and 21 color reproductions of works from 2003 - 2006.
The catalogue has been published on the occasion of a solo show at Linn Lühn in September 2006 and a solo show at the Museum Goch in October 2006

Published on the occasion of Alexej Koschkarows solo exhibition at Jablonka Lühn, Cologne in September/ October 2005. The book features drawings, photographs and installation views and includes an essay by Heike van den Valentyn in german and english.

First catalogue on the artist Christoph Schellberg, published on the occasion of his solo exhibition at Jablonka Lühn, Cologne in April 2004 and Stellan Holm Gallery, New York in October 2004. The book includes an essay by Michael Bracewell and a conversation between Christoph Schellberg and Daniel Kothenschulte.